Beyond Pop Art at the DAM –
Denver – July 10, 2014. You have to be inhuman to not GET an artist when you see a good retrospective. When you see the work of Tom Wesselmann at the Denver Art Museum this summer you’ll get the classic, chronologically ordered line up of this Pop artist’s first work, the work that made his…
Nick Cave at the Denver Art Museum
Contemporary visual art is usually not concerned with craftsmanship, said William Morrow, the curator of contemporary art at the Denver Art Museum, while asking Nick Cave why his work on view at the DAM was so well crafted. Mr. Cave said the works are made with a concern for quality because that is how he…
Georgia O’Keefe at the Denver Art Museum
DENVER – At a media preview for the exhibition Georgia O’Keefe in New Mexico: Architecture, Katsinam, and the Land, which opens Feb. 10 at the Denver Art Museum, a fellow journalist said, “finally a show I can relate to. I know New Mexico.” Soon after this, Thomas Smith, one the curators of the show, and…
Conceptual Writing
DENVER – October 20, 2012 Conceptual Writing From beyond the lively hum of people inside the Museum of Contemporary Art, I heard a repetitive tick of a human voice. I worked, once, in a newsroom where the police scanner was constantly on, and it sounded like that. I followed the voice to its source on…
More American Photos MCA
DENVER – March 30, 2012 – I don’t expect photography never to play tricks on me. I enjoy qualities of illusion – and formal composition – in a photo just as much as I enjoy those qualities in a painting. But, I also value the ability of photography to offer me some information about a…
Fred Sandback
Precise Lines DENVER – October 18, 2011 Fred Sandback’s work is at the Museum of Contemporary Art until the 23rd of October. Until then the museum is filled with lines drawn in yarn — big lines, very precisely drawn in acrylic yarn. A line pulls you into the main floor gallery and points to a…
Robert Adams
Photographs at the DAM Robert Adams’ photographs at the Denver Art Museum are the spitting image of ones we’ve taken as young people exploring rural Colorado and beyond in the ’70s and ’80s. Or, more accurately, my imagined version of my photos. His are B&W and make the jarring primary colors of the commercialism of…