Contemporary Museums Painting Sculpture University

Bell and Video Matters

— Harwood Museum of Art — Taos, NM — Opening June 9 –

I grabbed for the pencil – the sign said “Do Not Touch!” — so I was not really going to touch. Was I?

When I got close, the pencil rose off the paper and scared me. You can watch my video and you’ll understand what is really happening. Or, you can imagine like I did that I had some power to control matter. The title of this exhibition of Peter Sarkisian videos is a little too cleaver Mind Under Matter, but I tend to be realistic so I guess I like preference Matter. A friend of mine said yesterday, “It was meant to happen.” About something that she wished hadn’t. I don’t believe in that. (Nor do I believe in fairies, that 9/11 or the Moon Landing were hoaxes. The Kennedy Assassination – was a conspiratorial plot and that was proved by the 1979 Commission.) My friend’s huge argument with her husband wasn’t meant to happen. Both could have exercise more self control and between communication skills. Their feelings were a powder keg, I understand, but there is no world force that ‘meant’ the argument to occur. That it did, and they were able to discuss their feelings is a good, and to see it that way, is classic PR spin. Put the best face on what happened.

When art resonates with people, I’ve often heard it described in similar terms – like a world force created it, instead of a lot of problem solving, hard thought and work by the artist. And like a good Little League coach I’m happy to give everyone a Participation Award.

But sometimes, an artist needs to be singled out because their work is extremely entertaining or thought provoking. Peter Sarkisian’s work is both.

Peter Sarkisian video called Artificial IntelligencePeter Sarkisian video called Artificial Intellegence

In his video, called  “Artificial Intelligence” – that glowed almost too brightly to look at, but made a great shadow on the wall – there is a small ball below one foot of the robot.  In that ball is video of a man rolling inside the ball.

 

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Minutes before entering the Harwood to see four new shows including Sarkisian’s, I was talking to a guy in the lobby while he was decided if he was going to enter. He asked if this was an ‘abstract museum’? And it didn’t sound like he ‘believed in’ abstraction. All art, I’d argue is abstracted from the specific. People compliment a portrait by saying it’s more that just a representation of the person but brings the subject alive. That is a move to the abstract, toward what is in the mind and not the single representation of a view, one photograph for example, of a person. He said he like the people who founded Taos, and further explained that he meant the Taos Art Colony founders and their paintings of the Indians they were to replace as the dominant culture in Taos.

To his dis of the abstract, the staff explained that the museum was run by the University (of New Mexico – that has a great visual art department). She implied that it is meant to be educational. I chimed in with, “their shows change all the time, so plenty of new stuff to see’ — like these four very different shows. And then added that he might learn something new.

Not from Modern Art, he said, it was meaningless. I explained that the Taos artists were often called Taos Modernists. Well, maybe at first, he said, meaning that now they were accepted, and that was what apparently he needed to be interested.

For me, the purpose of art is to be there before everyone accepts it. To find a canyon and discover what makes it beautiful. Not to stand at The Grand Canyon like the Griswald Family in Vacation, nod and go on. But not everyone has developed this sensibility, as the philosopher David Hume said in On Taste, and Michael Martin explains in this Philosophy Bites episode.

If you have the closed stance, it’s hard to receive anything. I found myself the other day, understanding that if you don’t allow your thinking to be disrupted you can’t learn new things. When I write this down it seems like such a small thought, but I realized that what I was asking myself was : what is it really to be open minded? And, why do I rarely see that in other people? It was one of those moments where I was really just trying to let ideas pour in and it felt great and far more expansive than what I wrote in my notes here at the Harwood:

if you don’t allow your thinking to be disrupted you can’t learn new things.

Of course this thought came from thinking about Susan Sontag who liked to have her thinking disrupted. I thought I’d read some science fiction that someone recommended to me, because I usually don’t. And thinking about politics and how people are so fearful of changing the way we pay for healthcare. Why can’t we change it? Are people so weak they can’t commit to something as a community, like we did with the Interstate Highways, or do better in America than Europe with libraries? Is it just being curious? And are we not cultivating or rewarding curiosity, and that’s why students are not motivated? Or is the social so much more part of schools than curiosity?
Peter Sarkisian video work called When Artists Have Guns

Peter Sarkisian’s Gun

In another of Sarkisian’s video works, everything is sucked up by the gun on the table, from the guy in the photograph, the egg on the plate to the flowers on the tablecloth fabric. The gun sucks the life out of us. Let’s imagine Planned Parenthood lay on the table instead of the gun. No, it isn’t equally horrifying. There are issues in the country and some are more important than others.

Larry Bell exhibition at the Harwood

Larry Bell – Guitars and other sensuous images

Why are guitars hanging on the walls of the upstairs gallery portion of the Larry Bell exhibition called Hocus, Foucs and 12 ? I’m halfway around the gallery before I realize they are 12-string guitars. I go over and read the notes because I can now see the intentionality — each object has 12 strings, maybe each images is a layer of 12 shapes. They are too overlapping and intermingled to count. But I read and learn the Bell had a hearing loss until it was repaired when he was in his 40s. His father had given him a guitar when he was a kid and wanted to learn to play. He didn’t like it. Later he started listening to the 12-strings and was able to get into it. Since then, he collects as well as plays the 12-string guitar. His familiarity comes across in the images. The primary forms in the works, called multi-media drawings, are similar to the guitar: a neck and curvaceous body. From there more comparisons can be made to the female form. The diaphanous nature of the layers implies movement (distance over time) and music (sound over time). And the texture is complex, mirrors those textures in the wood of the guitar.  In the galleries on the lower level of the Harwood are similar drawings but these are called Vapor Drawings. I don’t know what this means but all these 2-dimentional works I’ve already called diaphanous – vapor like.

More of Bell’s classic glass sculptures are on in the first floor galleries. They are interactive and make a busy gallery more fun. Different, but not less pleasant than the contemplative nature of it when sparsely populated.

Larry Bell – Hocus, Focus and 12 runs through Sunday, October 7, 2018;

Peter Sarkisian: Mind Under Matter through Sunday, July 22, 2018;

also:

Rafa Tarín: Sisters of War
Gallery: Hispanic Traditions Gallery
Saturday, June 9 – Sunday, October 7, 2018

Tom Rogers: New Paintings
Gallery: Studio 238
Friday, June 1 – Saturday, June 30, 2018

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